MaryAnn’s quick take: With cowardly mildness, white-bread mush A Man Called Otto misuses its star’s likability. Tom Hanks trying to be grumpy yet endearing has the opposite impact. He’s somehow less endearing than he’s been before. Read the review…
directed by women

movies for the resistance

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maryann sez…
- restarting paid subscriptions on Patreon, Substack, and PayPal Feb 1st
- the nominees for the 95th Academy Awards (the Oscars for 2022’s films) have been announced
- OFCS 2022 awards winners announced
- loaded question: what film from the prestreaming era were you obsessed with that would be considered obscure now?
- Weekend Watchlist is now the #DailyStream
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finest internets
- curated: Sarah Polley on Terry Gilliam is a masterclass in how brilliant men get away with their bullshit
- curated: why are movies and TV shows so muddy-looking these days?
- curated: why movie dialogue can be so difficult to hear nowadays
- curated: Oscar Isaac and Timothée Chalamet on playing father and son
- curated: say hello to photographer John Benton-Harris
- curated: the boy who was almost Anakin Skywalker
- curated: “Trailers Use Slower and Moodier New Versions of Classic Songs to Lure Viewers”
- curated: “Loki as Other: Why Do Queer and Female Viewers Love the Trickster?”
- curated: “Arctic thriller’s film crew struggled to find true frozen waste”
- curated: “The San Diego Comic-Con News Generator”